Not always what we want can be achieved. It depends very much on variables that can facilitate or condition the facts of life.
One thing is certain, no matter what fate holds us, it is an incredible journey.
The truth is that the universe has ways of balancing itself and what it takes also gives.
This is my new sound. A danceable commercial sound. I hope you enjoy it.
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Showing posts with label House Technology. Show all posts
Showing posts with label House Technology. Show all posts
Friday, 21 December 2018
Saturday, 7 December 2013
Retro feels so good
“Feel so Good” is a strange track, on one side there’s a very modern and up to date vibe while in the other end is a pushing force that brings it to a more nostalgic retro groove.
To be honest this result was not intended. I definitely don’t have the talent to make such a conscious production. But the fact is that this accomplishment really made me proud.
This music really brings some memories and the more I listen to “Feel so Good” the more, the buried memories from the past, struggle to make their way out of the cemetery grave.
There was a time when house music was simple, unpretentious and liberating; those were the main reasons why I felt so attracted tor this type of music and why I decided to create my own original work.
“Feel so Good” starts with a clubish, funky grove with a strong bass, simple beat and soft melody. That funky vibe is complemented by an acapella voice that definitely creates that retro feeling and also helps break the track monotony.
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| Retro Feels so good |
In the end “Feel so Good” existence is nothing more than amateur luck. The end result definitely wasn’t intended to be like this, but the fact, is that this track turnout to be a very danceable, original and a enjoyable retro track.
Monday, 2 December 2013
Bad Boy
Bad Boy, my latest production is definitely a more mature
track one that reflects the evolution of my knowledge and understanding of the
music creation process.
Although simple in its construction the fact is that this
track is really effective. Not only it has a very sober and original vibe it
also has a very modern and universal grove.
Bad Boy is a deep progressive house music with a jazzy
vibe. Those o follow my blog already know how much I love that jazzy vibe,
something that has been persistent throughout almost of my tracks.
This music is no exception, and that jazzy vibe really
gives this track some personality giving it also a very sophisticated groove.
Similar to my oldest productions I’ve used again a funkier
beat, complemented by a repetitive bass and piano riff that serves as the track
base.
With soft transitions and some percussion twists, the tracks
final touch is a small, also repetitive, trumpet riff that elevates and opens
the track giving it a freshness that carries the music trough the middle until the
end.
Hope you enjoy,
Monday, 27 August 2012
Revelations - end of a cycle
“Revelations” closes the trilogy cycle of music productions inspired in a more commercial approach.
“Wolfmother”, “Filter” and now “Revelations” are my humble attempts of achieving a less alternative and a more appealing to the masses sound. My general idea is that I’ve accomplished my goal and the three music productions are somewhat a prove of that. They are easy to listen, danceable, commercial and at the same time original.
“Wolfmother”, “Filter” and now “Revelations” are my humble attempts of achieving a less alternative and a more appealing to the masses sound. My general idea is that I’ve accomplished my goal and the three music productions are somewhat a prove of that. They are easy to listen, danceable, commercial and at the same time original.
“Revelations” is a more mature music, in part due to the experience gain when working on “Wolfmother” and “Filter”.
The music structure is very similar and there were no major deviations to the previous formula, what makes the difference and set this music apart from the previous two are the small details that were implemented.
Some small nuances were added to give more deepness and body to it like low-end noises that are almost off tune and give a disconcerting and at the same time unique style, also the beat is more detailed and relies heavily on a afro vibe mixed with some filtered percussion sounds.
Some small nuances were added to give more deepness and body to it like low-end noises that are almost off tune and give a disconcerting and at the same time unique style, also the beat is more detailed and relies heavily on a afro vibe mixed with some filtered percussion sounds.
Throughout almost the entire music there’s a synth sound that changes tone like a wave up and down winch balances the music in perfect harmony, this sound is complemented by a lead synth that gives that French space vibe that I so much enjoy.
“Revelations” is a great way to end this cycle, one that gave me great pleasure and experience for my future music productions.
Hope You enjoy.
The Halfgame Blog
The Halfgame on Youtube
The Halfgame on Beatport
Hope You enjoy.
The Halfgame Blog
The Halfgame on Youtube
The Halfgame on Beatport
Labels:
Editor's choise,
House music,
House Technology,
Music,
Original production,
Video
Monday, 6 August 2012
Filter - Another commercial track
This will be the second music from a trio of electronic music productions that I’m currently working on. On my previous post I’ve showed the track “Wolfmother”, being that the first piece, a short and very commercial driven music.
“Filter” follows on the steps of “Wolfmother”, also attempting to create a more commercial and danceable tune, winch for me appears to be an almost impossible task. This time however I’ve tried to expand things a little bit and using the experience recently gain when creating “Wolfmother”, I’ve tried to create something more than just a commercial music and gave it my personal touch in order to produce an exciting and original vibe.
This approach resulted on “Filter”. This music relies heavily on a buildup technique winch is used to enable the creation of a memento that culminates, immediately after the big music break, in a explosion of sounds that tries to bring the dance floor to ecstasy.
I’m very proud with what I’ve accomplished and this track is certainly one of my favorites so far. “Filter” is a simple commercial, but at the same time, original track that I humbly present to you hoping you enjoy it as much as I.
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“Filter” follows on the steps of “Wolfmother”, also attempting to create a more commercial and danceable tune, winch for me appears to be an almost impossible task. This time however I’ve tried to expand things a little bit and using the experience recently gain when creating “Wolfmother”, I’ve tried to create something more than just a commercial music and gave it my personal touch in order to produce an exciting and original vibe.
This approach resulted on “Filter”. This music relies heavily on a buildup technique winch is used to enable the creation of a memento that culminates, immediately after the big music break, in a explosion of sounds that tries to bring the dance floor to ecstasy.
I’m very proud with what I’ve accomplished and this track is certainly one of my favorites so far. “Filter” is a simple commercial, but at the same time, original track that I humbly present to you hoping you enjoy it as much as I.
Hope You
enjoy.
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http://dj.beatport.com/thehalfgame
http://soundcloud.com/thehalfgame
Thursday, 2 August 2012
Wolfmother - Dance Floor Music
It´s been a
long time but here I am with another new production, “Wolfmother”. This will be
the first post from a trio of music productions that I’m currently working on.
Hope You enjoy.
This time I’ve
aimed for a more dance club type of music and I believed that I nailed it. As inspiration
to this track I’ve used some French vibes reminiscent of artists like Daft Punk
and Cassius and also included some 80’s touch winch is so popular nowadays.
This track
relies mainly on simple but very happy tunes and some consistent breaks that
serve as moment builder that helps carry the dance floor crowd to ecstasy. This commercial aspect was intended and was
one of my main objectives since this type of production is not common on my portfolio
and I wanted to see if I was able to create a more driven to the masses type of
music.
I’ve concluded
that it’s more difficult to do a commercial music that the more alternative
ones that I usually create, nevertheless I’m very happy with the end result and
hope to repeat this experience more times in the future.
For now I
leave you with “Wolfmother” promising to come back soon with more stuff.
Hope You enjoy.
Thursday, 17 May 2012
Jazz about nothing
This is me returning to an old and familiar format, being that, house music mixed with a Jazz vibe. This is definitely the style that I feel more comfortable and the most pleasuring one for me.
In my opinion this two styles really make a perfect combination, the energy of house music, with its simple beats some hit hats and bass, put together with Jazz music, being that trumpets, sax or piano, just makes me light feeling.

I don’t know if it is the deepness or soul of the house music or the improvisation of the “doing what you feel” of the Jazz vibe that makes this mixture so especial to me but the fact is that I feel very comfortable when creating this type of sound.
“Jazz about nothing” is a music that invokes some very positive feelings and definitely brings some good memories from my young days when venturing trough the dance music world.
My first contact with this style of music was at a friend’s house. He was showing me is record collection and immediately one of its records called my attention. It was an old vinyl record with only two tracks, one on each side.
The record was poorly wrapped in a white paper cover and had written at hand in big black letters just the words “made in New Jersey”.
I removed the record from its packaged and put it on my friend’s turntable. As soon as the record started playing I knew that I was being presented with something deeply life changing, at least for me, it was like my musical sensibility had been slapped causing the elimination of musical barriers I didn’t know that existed.
In my opinion this two styles really make a perfect combination, the energy of house music, with its simple beats some hit hats and bass, put together with Jazz music, being that trumpets, sax or piano, just makes me light feeling.

I don’t know if it is the deepness or soul of the house music or the improvisation of the “doing what you feel” of the Jazz vibe that makes this mixture so especial to me but the fact is that I feel very comfortable when creating this type of sound.
“Jazz about nothing” is a music that invokes some very positive feelings and definitely brings some good memories from my young days when venturing trough the dance music world.
My first contact with this style of music was at a friend’s house. He was showing me is record collection and immediately one of its records called my attention. It was an old vinyl record with only two tracks, one on each side.
The record was poorly wrapped in a white paper cover and had written at hand in big black letters just the words “made in New Jersey”.
I removed the record from its packaged and put it on my friend’s turntable. As soon as the record started playing I knew that I was being presented with something deeply life changing, at least for me, it was like my musical sensibility had been slapped causing the elimination of musical barriers I didn’t know that existed.
This slap in the face moment was a turning point for me and a big inspiration for my future as an amateur music producer. Obviously there were other genres and styles of music that influenced my musical preferences and tastes but this Jersey house music vibe really caused a great impression and marked my musical life forever.
“Jazz about nothing” is a reflection of those influences; this music is marked by Jersey vibes like the deepness of the house beat accompanied by the funky repetitive bass and complemented by the jazzy vibe of the immersive trumpet riffs.
Summarizing this music is pure house music, at least as I imagine pure house music should sound.
Hope You enjoy.
“Jazz about nothing” is a reflection of those influences; this music is marked by Jersey vibes like the deepness of the house beat accompanied by the funky repetitive bass and complemented by the jazzy vibe of the immersive trumpet riffs.
Summarizing this music is pure house music, at least as I imagine pure house music should sound.
Hope You enjoy.
Labels:
Editor's choise,
House music,
House Technology,
Jazz,
Music,
Original production
Monday, 7 May 2012
The "French touch"
French House is a term that defines a genre of house music, one of my favorite genres and a very popular style particularly in the 1990s and 2000s.
This form of Euro Disco is known by its heavy reliance on filter and phaser effects and also by the use of late 1970s and early 1980s American or European disco sounds, loops or samples.
Daft Punk and Cassius
Daft Punk, Cassius and Etienne de Crécy are just some of the few French Artists’ that inspired a whole generation with this exceptional genre of house music.
Music’s like “Le patron est devenu fou !” and “Prix Choc” from the Etienne de Crécy Super Discount album and “Around the World” and "Revolution 909" of the Daft Punk Homework album are some good examples of what the “French touch “ is capable of and were responsible for the success of the genre throughout the dance clubs all around the world.
Music’s like “Le patron est devenu fou !” and “Prix Choc” from the Etienne de Crécy Super Discount album and “Around the World” and "Revolution 909" of the Daft Punk Homework album are some good examples of what the “French touch “ is capable of and were responsible for the success of the genre throughout the dance clubs all around the world.
The “neu-disco” is a term that is commonly used to indentify this music genre, as the “French touch”- But what is French House?
French house consists of three main music styles, the space disco sound, Euro Disco and also the influences of the deep American House music with special emphasis on funky repetitive sound vibes.
This particular mixture of sounds was the inspiration that I used when creating the “Lost in France” track. This music relies on the use of retro sounds, samples and loops. It has a disco and space vibe with a small touch of funky bass.
In the end this music brings me some great memories and was one of the most pleasuring productions I’ve done so far.
Hope You enjoy.
Monday, 16 April 2012
House Technology - Part one
I feel the best way to review any music is to explain a little bit about their construction and what were the inspirations that lead to the final product.
For example, for the music “regardless of what you say”, I’ve got my inspiration on the classic House music sounds, the strong beat with 4 tempo Snare and Hit Hat accompanied by a funky Bass, simple but effective. I especially like the Bass sound that changes the music completely and sets the tone to the rest of the track.
After the first break a new sound is introduced. I’ve struggle on this part of the music and for a short time I almost give up on her. I’ve tried everything, Synths, Bass, Voice, Piano, Guitar and nothing worked. But then I remember, a very important rule that is – Keep it simple.
Almost by accident I found a Saxophone sample that with some simple twist, Distortion and echo effect, really workout perfectly.
This is very common on my productions, I try so hard to make an original sound that sometimes things get complicated and sometimes I forget this simple rule.
In the end in order to give this music some finishing quality touches, I’ve added some minor transition effects to smoothly connect the different parts of the music and also some Rhodes sounds that gave this music some personality.
And this is what “regardless of what you say” is, a simple music with strong beat and great melody.
Hope You enjoy.
Labels:
Editor's choise,
House music,
House Technology,
Music,
Original production,
Video
Sunday, 8 April 2012
Small sense - no boundaries music
“small sense”, is until now the most ambitious music I have produced so far. I really can’t categorize this peace and that is mainly due to the fact that it was produced without any compromise.
The music begins with a Blade Runner synth type of sound, winch gives a kind of eighties vibe immediately followed by a very immersive bass line reminiscent of the music “Angel” from the 1998 Massive Attack acclaimed album, “Mezzanine”. The beat is very simple but that exist only in this music to give the slow tempo that was initially desire for this production.
A second synth is used, and again that futuristic cyber punk feeling is present giving this music a unique personality.
Throughout the music several FX are used in order to give a more dynamic structure to the music, one of those effects is a police radio communication that with the help of a delay and distortion effect gives the music an original touch.
Trip hop, electronica or even downtempo labels may be used to define the music genre and I accept them all. But in the end the final product was achieve without rules or boundaries winch resulted in “small sense”.
Hope You enjoy.
Hope You enjoy.
Labels:
Editor's choise,
House Technology,
Music,
Original production,
Trip Hop,
Video
Benevolence - A chillout music
“Benevolence” is a mix of Trip Hop and Jazz that combined makes a very powerful and unexpected result.
When I was making this music I really didn’t have something particular in mind and I just allowed myself to go with the flow. The only thing I was certain was that this music would have a more chill out approach.
I started with the beat winch I’ve got my inspiration on artists like Massive Attack, Portishead or even Thievery Corporation.
Then came the Bass selection, also a very important peace in this music, nothing fancy just a simple bass with some echo and delay effects that unexpectedly made a perfect match with the beat and gave the impression that they were meant to play together all the time.
The third and I believe the most important peace on this music is the trumpet riff, used in this music to give that jazz vibe, tuned with some distortion and delay effects to give a jazzier club sound.
This chill out music is, of all the productions I have made so far, one of my favorites and one that I’m really proud.
Hope You enjoy.
When I was making this music I really didn’t have something particular in mind and I just allowed myself to go with the flow. The only thing I was certain was that this music would have a more chill out approach.
I started with the beat winch I’ve got my inspiration on artists like Massive Attack, Portishead or even Thievery Corporation.
Then came the Bass selection, also a very important peace in this music, nothing fancy just a simple bass with some echo and delay effects that unexpectedly made a perfect match with the beat and gave the impression that they were meant to play together all the time.
The third and I believe the most important peace on this music is the trumpet riff, used in this music to give that jazz vibe, tuned with some distortion and delay effects to give a jazzier club sound.
This chill out music is, of all the productions I have made so far, one of my favorites and one that I’m really proud.
Hope You enjoy.
Labels:
Chillout,
Editor's choise,
House Technology,
Music,
Original production,
Trip Hop,
Video
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